BEST HOLLYWOOD DESCRIPTION EVER!
«Hollywood's so strange it seems like no one is working out there but they must be»
-Andy Warhol
Interview magazine
May 1977 p.22
The blog about the ongoing influence of Andy Warhol's philosophy in the 21 st century. From art to instant fame, sex, beauty, celebrity gossip obsession, business or fitness why we live in a Warholian world more than ever.
«Hollywood's so strange it seems like no one is working out there but they must be»
Copyright by IVAN
At every stage of his career as filmmaker, pop painter, printmaker, publisher, writer and portraitist, he was an indefatigable worker, doing what needed to be done-from distributing copies of Interview magazine to procuring portrait commissions. He worked his staff as hard. Andy Warhol Enterprises was a group effort. Pat Hackett and Bob Colacello wrote The Philosophy of Andy Warhol (and received royalties). Warhol was encouraging, the zealous mother, continually urging his staff to go out and bring home the bacon. Having the power of an aesthtic, work became the foundation of his art».
Copyright by IVAN
Warhol disait ne pas croire que les homosexuels soient plus créatifs que les hétéros. Karl Lagerfeld affirme être pour que les enfants puissent être élevés par deux femmes, mais pas par deux hommes. Pourquoi les points de vue anti recitude politique comme ceux -là sont -ils devenus aussi rares lorsqu'il s'agit de la communauté gay?
«I get my news on the Internet or whatever, just hard facts. Almost every publication has
«With his portraits paintings and films, Warhol almost single-handedly revived one of the most ancient practices in painting as well as returned the focus of art to the human being. It's almost ironic, since Andy Warhol was widely characterized as cold and inhuman, but clearly he was fascinated by personality.»
Copyright by IVAN
For all her success, by mid-1994 she was undoubtedly a damsel in distress. «Very few people came to my rescue. It was an incredibly eye-opening experience» she said of the period. So given that Madonna's life is an almost classic exemple of contemporary fairy tale, it would not be complete without a couple of knights riding to her rescue. Since, however, this is also a post-modern fairy tale, in which poses are struck and principles deemed passé, it is suitably ironic that the saviors of this icon of agressively sexy strong, modern womanhood should be a pair of old-fashionned gentlemen, in the unlikely shape of a cricket-loving English knight and an elderly american writer. Like a latter day Don Quixote, the rotund, heavy-jowled figure of Norman Mailer was first into battle, gallantly wielding his literary sword in her defense in a piece in Esquire magazine in August 1994. It was a timely reminder to the nation's intellectual and cultural elite that Madonna belonged to the tradition of Andy Warhol and artist who had examined the void while attempting to push back boundaries and challenge orthodoxies, particularly regarding the eternal themes of sex and love. «We have among us our greatest living female artist» Mailer prononced portentously.
Aujourd'hui existe le concept d'obésité morbide. Et la pauvreté morbide? La laideur morbide, la connerie morbide, ça n'existe pas?
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