“The drawings I do have very little to do with classical, post-renaissance drawings, where you try to imitate life or make it appear to be lifelike,” Haring said. “My drawings don’t try to imitate life; they try to create life, to invent life.” This particular work is number 7/35 of Haring’s series of carved plywood totems painted with colored enamel. On the reverse is a plaque that contains Haring’s signature, the date “88,” and the edition written in black felt-tip pen.
Totem by Keith Haring, 1988, 22" h. x 72" w.; Phillips, London, January 22; estimate $107,000 to $152,000. phillips.com
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