GEE, THAT'S GREAT

«1983, 1984, it was almost like a dialogue going on, back and forth, and the subways were a way to continue the dialogue and put [out] images which I would get sometimes specifically from dance moves that I saw. . . you know, [persons who would] bend over backwards [to the floor] or somebody going underneath [in the moves called the bridge and the spider], things that I was seeing in dances and literally putting them right into the work - they knew, when they saw it, right away what it was."


-Keith Haring
Artforum
1990